As I mentioned before, we at Yale have done a couple of Japanese film series in collaboration with the National Film Center of the Museum of Modern Art in Tokyo. One of the conditions of the collaboration is that we produce something physical as a record of the event. We did that with our first series, The Sword and The Screen: The Japanese Period Film 1915-1960 (which took place in January and February 2012), and then used that experience to create an even longer pamphlet for our second series with the NFC: Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931-1969.
It was again a wonderful project for the grad students doing East Asian film and media at Yale, who helped translate articles, write commentaries on the films being shown, and layout and edit the pamphlet. Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Huan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, and Young Yi all did splendid work.
We also had our symposium guests, Yomota Inuhiko, Jō Ōsawa, and Phil Kaffen, compose original and quite stimulating articles for the pamphlet. I added an introduction.
As with the first pamphlet, the result is a good resource on various forms of Japanese films involving crime (yakuza films, gang films, detective films, even wandering gangster films).
The pamphlet is now available for free download in PDF on the publications repository of the Council on East Asian Studies at Yale, which helped fund the series. They’ve created a Film Series Commentaries section that contains this pamphlet and some of the other work we’ve done.
Check it out here.