News and Opinion
The Far East Film Festival in Udine, Italy, has established itself as the premier forum for introducing popular East Asian film to Europe. As any good festival should do, it also runs retrospective programs in addition to its programs showcasing new films. Mark Schilling, the longtime critic for the Japan Times and author of such books as Yakuza Movie Book, has programmed a number of Japanese film retros at Udine, including the one that led to the book No Borders, No Limits: Nikkatsu Action Cinema.
His task in 2016 was to do a series on Japanese sci-fi and fantasy films that went beyond the kaiju films people are used to. Entitled “Beyond Godzilla: Alternative Futures and Fantasies in Japanese Cinema,” it featured ten films and a special visit by Obayashi Nobuhiko, whom we hosted at Yale in 2015. Mark also edited the catalog and asked me to pen a history of Japanese sci-fi and fantasy films before WWII.
That was quite a task because most of what was made no longer exists. For instance, only pictures of the infamous King Kong Appears in Edo (Edo ni arawareta Kingu Kongu, 1938) survive. A few films are still available for viewing, such as Makino Masahiro’s Shimizu Harbor, Part II (Zoku Shimizuko, 1940) or Yamamoto Kajiro’s Son Goku (1940), starring Enomoto Ken'ichi, but that’s not enough for an article.