News and Opinion

Colonial Era Korean Cinema

Although my specialty is Japanese cinema, I teach and do research in many other fields, such as animation, television, comic books, or the Western. I also work on other Asian cinemas, but have not had much of an occasion to publish on them.

I am thus glad to report that I’ve finally published my first article on Korean cinema: a piece entitled “Colonial Era Korean Cinema and the Problem of Internalization” in the journal Trans-Humanities, published by Ewha Womens University (number 20 [volume 8, number 1]: pp. 27–46). The origins of this piece are in a talk I gave as part of a panel discussion called “Korea’s Rediscovered Colonial Films" at Harvard in December 2010, a great session organized by Carter Eckert that also featured John Dower, Michael Robinson, and Franziska Seraphim. I am thankful to Prof. Eckert for giving me the opportunity to talk about Korean film, as well as to Ewha, which let me expand on that talk for the conference "Korean Literature, Art, and Film from 1910 to 1945" held at Ewha in July 2014. Ewha invited us to submit to their journal, which I did, in part to support the growing relationship between Ewha and Yale. My colleague, John Treat, who helped organize the conference, also has a piece in the same issue: “Im Hwa Before and After Japan.”

Japanese Film Industry Statistics for 2014

Eiren (the Motion Picture Producers Association of Japan) has again released the official statistics for the film industry in 2014. The Japanese summary is here; for English, you have to scroll down to the bottom of this table for the 2014 figures. Click here to see the box office leaders in English.

Things have improved slightly from 2014. The total BO rose 6.6%, and total attendance 3.4%. The market share for Japanese films went down from 60.6% to 58.3%, largely due to the immense success of Frozen (which pulled in 25.8 billion yen), but this is the seventh consecutive year the domestic films have beat the foreign ones. The number of screens increased slightly to 3364, with the percentage of those screens being in multiplexes reaching a record 86.5% (single screen theaters, such as mini-theaters, are really dying out). The average ticket price rose to 1246 yen, the highest amount ever (it had not risen over 1260 since 2010).  Perhaps Abe's inflationary policies are reaching the movie theaters. 

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